niklastafra(at)gmail.com
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The Drunk by the Sea (2021)
Horizontal Interest (2021)
at Fondazione von Kant
Nema problema (2020)
New Horizon (2020)
Exercise in Fragility / Exercise in Mobility (2019)
with Sanna Marander
at Castelli Gallery
You say it best when you say nothing at all (2018)
with Sanna Marander, including Diana Agunbiade-Kolawole and Frida Sandström
at Index
Can You Tell Me Your Honor Where behind a Lamp-Post Is? – A Retrial of Félix Fénéon (2016)
with Sanna Marander, including Erik Hellsten and Claes Tellvid
at Kunstverein Publishing
Today I Wrote in the Sand: Tongue (2016)
with Sanna Marander, including Sandra Lolax and Sophia Magdalena Mostyn
A diptych consisting of a performance
and a sound piece
at Market Art Fair
My friend went to la Grande Jatte and all I got was this lousy t-shirt (2015)
with Sanna Marander
Trying out socks, projecting ideas of colour onto an exhibition, a text, a humming, a triangle, a dance.
at Overgaden
Housebreaking (2014)
with Sanna Marander, including Claes Tellvid
A wall drawing, a filler about a search dog getting lost during a search mission, a sculpture made of incense in the shape of a dogshit, a video of digital representations of artworks in search of a partner in crime. A reading of texts, a setting of the scene, a list of evidence, one which is later burnt.
The Albanians (2013)
with Sanna Marander, including Gideonsson/Londré
A libretto – a translation of scene I act II of Mozart’s Così fan tutte from Italian to English, two canaries in a cage, a sound piece, a performance.
Each Morning (2014)
Tesco Superstore, 55 Morning Lane, Thursday April 22, 2010 (et cetera) (2010)
A reel-to-reel tape player, a plinth, two metal bars, a text read onto tape.
Any Resemblance is Purely Coincidental (2012)
with Alia Pathan, including Philip Cath and Erik Hellsten
A sound piece for headphones.
Click here for audio sample
